Chamee Yang

This article addresses the relationship between the contemporary development of the “smart” stadium and changing norms of innovation in sports. Given the evolving forms of smart technologies blurring the boundaries between the actual and mediated domains of sports, an approach that grapples with the broad sociotechnical dynamics within and around sport is necessary. Drawing from critical studies on big data, innovation, and smart cities, this study adopts a sociotechnical perspective to approach

Since 2020, many countries worldwide have deployed digital contact tracing programs that rely on a range of digital sensors in the city to locate and map the routes of viral spread. Many critical commentaries have raised concerns about the privacy risks and trustworthiness of these programs. Extending these analyses, this paper opens up a different line of questioning that goes beyond privacy-centered single-axis critique of surveillance by considering digital contact tracing symptomatic of the

The rise of “scientific security” discourse has spurred the use of optical technologies and data analytics in crime prevention. It has coincided with a shift in smart city narratives, positing these developments as enhancing women's freedom and safety in urban spaces. However, these narratives often overlook the nuanced and embodied experience of safety and women's ambivalent relationship with technology, while framing its use as a binary choice between privacy or safety. While enhanced legibili

This dissertation addresses the relationship between history, culture, technology, and urban governance in South Korea. It focuses on the technologies and techniques of making and governing a smart city and argues that they have been shaped by the long-term concerns for security, future, development, and globalization. This is not only evident in national economic policies and public discussions of the smart city and the new media technologies, but also in the spatial-material arrangement of urb

This paper explores the cultural work of surveillance through the emerging YouTube genre of videos that feature footage from in-car video data recorders. South Korea's ‘Han Moon Chul TV’ (HMC TV) exemplifies this genre, inheriting and extending beyond the traditions of public service television for traffic safety. The analysis shows how HMC TV operates as a cultural technology that merges the previous goals of public service television with the visual language of automotive vision while also pro