Park Hwanhee
Kyung Hee University · 人文科学
研究室紹介
Professor Park Hwanhee's research lab specializes in medieval and early modern European literature, with a particular focus on the representation of women, gender roles, and moral authority in religious and courtly texts. The lab explores how female figures—such as saints, heroines, and courtly women—function as agents of spiritual, social, and cultural transformation in literary and historical contexts. Key research directions include the intersection of domesticity and sanctity, the critique of chivalric ideals through female subjectivity, and the re-interpretation of heroic and religious narratives by female voices or through female-mediated perspectives. The lab also examines how literary traditions are reimagined in modern adaptations, especially in film, to reveal evolving understandings of gender, power, and virtue.
Research Overview
Research Output Trend
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Selected Papers
5This article focuses on three representative women authors of Canadian children’s literature to discuss their contribution in the genre. Catharine Parr Traill, known as the first writer of children’s literature in Canada, describes the wild yet bountiful Canadian nature and the diligent optimism of the three children in Canadian Crusoes. In the process, the role of women in promoting the pioneering and colonizing powers becomes important. L. M. Montgomery’s Anne of Green Gables describes the her
In The Life of Saint Mary Magdalene and of her Sister Saint Martha, Martha’s sanctity and devotional authority is based on her domestic work. Martha’s work for Jesus resembles the works of a secular woman whose responsibility is to show hospitality, give alms, and tend to the household goods and provisions. The miracles associated with Martha showcase her role as a domestic woman: she never runs out of food, and she makes a home in the wilderness by defeating a dragon. She serves all worthy gues
The depiction of Kriemhild in the Nibelungenlied can be read as a criticism on courtliness as a value that attempts, but fails, to control the heroic age’s violence. Courtly clothes and courtly love function as ways to elevate the aristocratic society of the Burgundians over the wild Nibelungs and their heroic violence. Even though men are at the forefront of the courtly display, the material layers of courtliness in the work is made possible through women’s participation, especially Kriemhild.
This paper compares the image of knighthood depicted in Sir Gawain and the Green Knight and the film The Green Knight (2021). As an honorable goal for warriors to pursue, knighthood in Sir Gawain and the Green Knight is depicted through diverse stories. But stories can change in content or emphasis depending on the speaker, and the speakers outside the chivalric community re-interpret stories about Camelot’s knights, reforming and criticizing the ideals of knighthood. Women are revealed as key c