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Ye Sul Oh

Seoul National University

研究室紹介

Professor Ye Sul Oh's research lab focuses on modern and contemporary British and Irish literature, with a particular emphasis on poetic forms, memory, and national identity. The lab explores how literary texts function as cultural archives, especially through the lens of elegy, mourning, and the representation of collective memory. It investigates the intersections between literature, historical trauma, and institutional spaces such as museums, especially in post-colonial and post-conflict contexts. The lab also examines temporal structures in poetry, particularly the reimagining of time and loss in canonical and marginalized voices.

elegymemory studiesnational identityliterary museumspoetic form

Research Overview

Papers
2
Total Citations
0
Papers (5y)
2
Primary Field

Research Output Trend

Figures are computed from collected data and may differ slightly.

Publications per year (5y)
2total
2015
2024
Citations per year (5y)
0total
20152024

Selected Papers

2
1
Article|0 citations·2015
Thomas Hardy’s Re-configuration of Time as a Circle in Poems of 1912-13
오예슬

Thomas Hardy’s Re-configuration of Time as a Circle in Poems of 1912-13 Ye Sul Oh (Seoul Nat’l Univ.) Thomas Hardy’s first wife, Emma, inspired him the most when she died unexpectedly in November 1912. Through the sequence of elegies entitled Poems of 1912-13, the poet aligns himself with the historic lineage of elegists by inheriting their legacies and at the same time revises its generic conventions to secure his originality. Reading the sequence mainly through textual analysis and also by

2
Article|0 citations·2024
후기 식민주의 박물관에서 역사 다시 쓰기: 켈트 호랑이 시기 이반 볼란드의 시를 중심으로
오예슬

This paper applies the concept of museum to read contemporary Irish poet Eavan Boland’s first sequence “Writing in a Time of Violence: A Sequence” in her 1994 collection of poems. The conceptual framework relies on the periodic, generic, and thematic affinities between the ways modern Irish history museums have functioned in shaping the national identity and the kinds of questions at the core of Boland’s writing. Here, the term “museum” functions as both an actual institution and a spatial figur

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