이광철 교수

最近收韓流的影響來訪問韓國的外國人數越來越多, 其中大多數的外國人都來到首爾。他門想看韓國的傳統文化。古宮是韓國傳統文化的精華, 因此很多外國觀光客願意參觀古宮。目前不少的古宮的亭臺樓閣有柱聯, 但其保存和管理情況不太理想。失去的失去, 保留的也次序不明。以中國人爲主的漢字文化圈的觀光客偶爾發見其中的錯誤, 這給他門對韓國的古宮有不好的印象。所以我把古宮柱聯的考察作爲我的當務之急。首先以文化財廳出版的『宮闕의 懸板과 柱聯』爲藍本, 我進行瞭古宮的田野調査, 糾正幾所景福宮柱聯的錯誤。又確認幾所德壽宮柱聯的位置。而且分析管理柱聯不良的原因, 提出理解柱聯的方法。

陶淵明是中國歷史上傑出的詩人之一。他一生中做過幾次官, 除了當江州祭酒以外，還幾次走上了仕途。如晉義熙元年乙巳(西405)八月, 陶淵明就任彭澤令, 同年十一月辭職了。關於陶淵明的作官, 只是對當彭澤令有具體的根據, 而其他當官的事實, 如作官的時間、地點、職位等都沒有詳細的記錄。所以對他出仕的經歷有許多歧說。因此後人也只是根據他的詩文, 推論他出仕的經歷而已。爲理解陶淵明的作品, 應該首先把握他當官的經歷。其中, 針對從來所爭論的劉裕參軍說與劉牢之參軍說, 考察了這兩種說所主張的論旨, 分析了它們有沒有合理性。其結果, 可知劉牢之參軍說具有合理性及根據。

陶淵明是中國歷史上傑出的詩人之一。他一生中做過幾次官, 除了當江州祭酒以外，還幾次走上了仕途。如晉義熙元年乙巳(西405)八月, 陶淵明就任彭澤令, 同年十一月辭職了。關於陶淵明的作官, 只是對當彭澤令有具體的根據, 而其他當官的事實, 如作官的時間、地點、職位等都沒有詳細的記錄。所以對他出仕的經歷有許多歧說。因此後人也只是根據他的詩文, 推論他出仕的經歷而已。爲理解陶淵明的作品, 應該首先把握他當官的經歷。其中, 針對從來所爭論的桓玄的幕僚與否以及其時期, 考察了各種所主張的論旨, 分析了它們有沒有合理性。其結果, 可知從400年六月以後某日到401年冬天, 陶淵明當桓玄的幕僚。

This paper is study on unique features and achievement of “Baozhao(鮑照)’s Ni Yuefu(擬樂府). Baozho(鮑照) was first writer who copied and studied Nan dynasty folk song seriously. This writer analysis the unique features of Nan dynasty folk song and find that Baozhao’s Ni Yuefu has similar features of Nan dynasty folk song. Baozhao did not simply copy Nan dynasty folk song, but created a painting in the literary artist's style Ni Yuefu with additional literary quotations on simplicity of Nan Dynasty fol

Baozhao’s Moni Poem of Caozhi was created in Baozhao’s difficult times and shows similar subject to latter part of Caozhi’s Poem based on reality. It shows that Baozhao did not copy(Moni) the characteristics of Caozhi’s poem only, but, expressed his emotion on Poem. Furthermore Bazhao’s Moni Poem of Caozhi also copied the style of latter part of Caozhi’s poem which is bold. Overall, Baozhao tried to copy(Moni) the bold style and reality subject from the latter part of Caozhi’s Poem. Baozhao was

Shijing is one of the earliest art forms in Chinese literature, also it is the most developed genre. Shijing is four-word patterned and its rhythm is two-two pulse. And Shijing is the headspring of the Chinese poem pattern in the later time. Some of the poems of Chuci are basically patterned in Shijing′s form After Shijing came out, it has been followed by many excellent poets, such as Cao-Cao, Ji-Kang, Tao-Yuanming etc. Tao-Yuanming accepted Shijing in wide and various aspects. He did not only