최진희 교수

Ratner and Kahn demonstrated that individuals believed that others would seek more variety than they themselves would seek. Building on this finding, we expected the variety-seeking tendency to be greater when people made choices for others, and we examined the mechanisms of this phenomenon. Study 1 explored an interpersonal mechanism and demonstrated that variety seeking for others became stronger when individuals were held accountable for their choices. Studies 2 and 3 explored an intrapersona

This article investigates the consequence of the choice process for mental resources and the desire to obtain the selected products. The authors draw a distinction between instrumental choice, which serves preexisting consumption goals, and experiential choice, which serves as its own end. Across four studies, they find that instrumental choice undermines mental resources and experiential choice increases these resources. As a result, although experiential choice is made with no consumption goal

Many advertisements use unrealistic images of products (e.g., hand drawings, digital illustrations, rotoscoped animation) instead of actual product images. However, while unrealistic product images are widely used in advertisements, little is known about their possible impact on product evaluation. We propose that because products in unrealistic images look unconsumable or unusable, unrealistic product images (1) suppress consumers’ mental simulation of consuming or using those products and (2)

[Strolling in a desolate amusement park on a winter developed in her book Reading with Feeling, evening] that our aesthetic appreciation of fiction Brand: I always liked the place [the amusement park] contains a temporal dimension, which is in fact at this time of year. constrained by the trajectory of the narration Lisa: Perhaps you prefer to imagine what it will be in process.5 Similarly, for Smith, POV shotsthe spring. Because if it is already spring, there is although he carefully avoids lin

According to the cognitive theory of emotion, cognitively impenetrable emotions more often an emotion occurs in the company of proposiin our responses to film rather than in our tional attitude toward the object of emotion. For responses to literary fiction. Such affective instance, when we feel fear toward a German responses do bear importance on the problem of Shepard, we believe that the dog is somehow how we engage with fiction or fiction film, not threatening to our well-being. Under this o

This book compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures.

Philosophy of film and motion pictures : , Philosophy of film and motion pictures : , کتابخانه دیجیتال و فن آوری اطلاعات دانشگاه امام صادق(ع)

This chapter focuses on two signature horror films from Applause Pictures, Three: Going Home (Peter Chan Ho-sun, 2002) and Three Extremes: Dumplings (Fruit Chan, 2004), and analyzes their new treatments of the transgressive ghosts and ghostly bodies. The mythical and ghostly presence of Chinese migrants is central to the narrative of the two horror films, and yet China is not a wholly negative presence when it comes to problems of survival, competition, and ambition. Here China resurfaces as a d

This article aims to examine the government-centered lifelong learning model of South Korea using two representative lenses of lifelong learning: Nordic and neoliberal models. By investigating the socio-economic and political backgrounds of lifelong learning in South Korea, we address how South Korea has developed an original lifelong learning model that differs from both the Nordic and the neoliberal models. Our examination implies that South Korea’s lifelong learning model in its provisions, n

As three academic researchers resisting the existing recognition order through generative, non-instrumentalizing relationships, we represent a substantive move away from the prevailing developmental model of doctoral student preparation. We highlight the struggle against misrecognition in the academy. Drawing on duoethnographic methods, we explore the nature of doctoral study and effective approaches to mentoring doctoral students as future researchers and university faculty. We contribute to th

This book examines the global processes embedded in a regional formation of screen culture. It demonstrates that national specificities are differently manifest in horror films from the East Asian region. In the case of Japanese horror films, technology seems to be the most crucial aspect as iconography and for narrative development, such as the cursed videotape in Ringu. The horror films from South Korea are often concerned with adolescent sensibility, which can be seen within the Whispering Co