이관석 교수

This study considers the architectural characteristics and its implications in Tadao Ando's Museums through the paths from external approach to exhibition space. The research results are as follows; ①Approach to Ando's museums is a slow ascension through paths intentionally detoured in company with water. The exceptional opacity in front of visitors is not a barrier but an invitation which leads them to the other side. ②The reversed paths form ascension to descension just before or after the ent

This research studies the characteristics of Gehry’s museums in relation to his outlook on architecture, and considers the significances of his museums in the contemporary museum architecture as follows; ① Complex characteristics of Gehry's museums are well brought out in two features: contrastive combination between regular forms and irregular forms from the viewpoint of material and shape as a result of his architectural inclination, fragmentalization and dualism, and the relief of formal hete

This paper studies Le Corbusier's attitude towards machine through many comments on machine described in his books issued in 1920s. First, it confirms Le Corbusier's insight into the essence of machine from which he had extracted lessons for architects. Second, it considers Le Corbusier's synthetic and omnidirectional standpoints to understand machine through rationalistic, practicalistic and functionalistic attitudes. Third, it studies how Le Corbusier could stand as an well-balanced architect

This study presents first the process of establishment and its architectural characteristics of the Muse croissance illimite which, since 1931, has been proposed with confidence by Le Corbusier as a prototype of the modern museum architecture, and next it considers the characteristics and logical basis of differentiation in Le Corbusier's three museums realized on this concept.In 1931, Le Corbusier proposed the Museum of Contemporary Art(Paris) on the basis of unlimited growth dream in keeping t

This paper studies the definitions of new architecture suitable for a new epoche, passionately expressed in Le Corbusier's three books(Vers une architecture, L'Art décoratif d'aujourd'hui , Précisions sur l'état présent de l'architecture et de l'urbanisme ) arisen from l'Esprit Nouveau in 1920s, the period regarded as the formation age of Modern Architecture. First, as a basic analysis, Le Corbusier's consciousness of the spirit of the times and his recognition on machine were considered to help

This study shows the result of which architect R. Meier applied synthetically his architectural philosophy such as serious consideration for natural light, conviction of white color and the will to architectural promenade to the museum architecture. Externally, Meier's museums conduct visitors to the entrance hall, the starting point of architectural promenade, with double faade or attractive curved walls against overall grid system, and clarify the course of promenade through a front ramp. Inte

This study focusing on Norman Foster's museums tries to explain the aspects of harmony pursued between the interior/exterior of museums and the surrounding classical contexture while keeping to technological images consistently and tries to show its meaning in the contemporary museum architecture. The results of this research show that, although Foster’s museums in three categories(new construction, renovation and extension) should be conceived differently, Foster always applied high technology

The purpose of this study is to analyze the characteristics of natural light and to expose its spatial role and signification in the worship spaces of Le Corbusier’s Chapelle Notre Dame du Haut and Couvent Sainte Marie de la Tourette. In case of lights of which their light sources are exposed, most of them brighten upper part of the worship spaces and back walls of the altar where are not illuminated by artificial lighting, and save spatial qualities like an inside dynamics. Even though the ligh

This paper studies how unique architectural philosophies of Hans Hollein and Arata Isozaki have been manifested as architectural characteristics in their Museum Abteiberg and LA MoCA, and how they cope with architectural demands of the museum architecture. Even though these two museums have revealed different aspects as a result of different architectural attitudes of each architect, different site condition and design guide, they show commonness like revealing to draw visitors, hiding by means

This paper studies the program to estimate simultaneously the proper size and the number of lecture rooms by sizes in university when the curriculum has been fixed and the number of students present at a lecture class can be predicted. Proposed gradual forms can be applied according to several variables like basis size of lecture rooms, structural modules of the building and ratio of occupation of lecture rooms etc. The validity of proposed method is verified through the application of real case

본 연구는 먼저 건축의 친환경성 측면에서 좋은 평가를 받지 못하는 르코르뷔지에 건축이 왜 그렇게 받아들여지는지를 확인하고, 그럼에도 그의 건축 작품에서 당시에는 흔치 않았던 지속 가능하고 패시브한 친환경적 면모를 찾고 그 의미가 무엇인지를 고찰한다. 원죄 같은 그의 도시계획안들, 모스크바와 파리에서의 시도와 실패, ‘국제 양식’의 굴레 등에도 불구하고, 그가 주창한 ‘새로운 건축의 다섯 가지 요점’에서 볼 수 있는 것과 같이, 그가 햇빛과 통풍을 통한 위생을 위한 친환경적 관점을 중시했음을 확인한다. 이어서 환경 보호에 대한 인식이 희박했을 때에 르코르뷔지에가 유념한 더운 지역에서의 향을 고려한 배치, 차양과 그늘막 지붕을 통한 그림자 형성, 실내의 복층화와 내부 비워냄을 통한 자연통풍 유발을 통해 오늘날의 패시브 건축과 지속 가능한 건축이 모두 지향하는 환경친화적 면모를 드러냄을 확인한다. 경제적 문제로 공조설비의 설치와 운영이 불가능한 지역에서의 이런 건축적 조처는 건축이 거주자

본 연구는 18~19세기의 합리주의 건축 정신이 뮤지엄 건축에 영향을 끼친 이후부터 근대건축 거장들의 뮤지엄들 이전인 1930년대까지의 근대적 뮤지엄 건축의 흐름을 추적한다. 오랜 기간 고전성에 절어있었던 뮤지엄 건축이 마침내 시대와의 격차를 줄이는데 기여했지만 올바른 평가를 받지 못했던 1930년대까지의 초기 근대 뮤지엄들을 대상으로 이전 뮤지엄들과는 다른 건축적 양태를 고찰하고 고전적 뮤지엄을 넘어서서 근대 뮤지엄의 출발을 알리는 의의를 지녔음을 밝힌다.

본 연구는 유럽에서 유네스코 세계유산 수준의 중요한 문화재 인근에 지어진 10개의 현대 뮤지엄에 주목한다. 본 연구는 이 뮤지엄들이 과거와의 갈등을 최소화하면서 이 문화유산들을 계획의 기본 개념으로 삼아 기존을 존중하면서도 현대 건물로서의 정체성을 지켜 나가는 여러 양상을 고찰함으로써 유럽에서 적층된 역사와 현대건축의 공존 방안을 밝히는 것을 목적으로 한다. 기존 문화유산을 존중하는 네 방안으로는 자신을 낮춤으로서 존중을 표하는 겸양, 닮음으로 보조를 맞추는 동조, 근대성과의 조화 추구를 위한 대비, 바라보며 존중하는 교감으로 정리한다. 현대 건물로서의 정체성을 드러내는 방안은 모던적 접근과 모던 이후의 접근으로 분류해 다양한 세부 방안을 확인한다. 본 연구를 통해 역사가 적층된 맥락과 지역성을 응고된 불활성의 잔재가 아닌 거기서부터 새롭게 도약해야 할 믿음직한 지침으로 삼음으로써 과거와 현재가 성공적으로 공존하는, 우리에게도 유용한 교훈을 추출할 수 있었다.

This paper considers the contents of architectural education advocated through books and lectures written and given by Le Corbusier who has refused incessant demands of young students of architecture to give them instructions. His principal objects of architectural education can be classified broadly into four groups. First, even though he scolded imprudent reception of the past without the spirits of the times, he emphasized the importance of tradition, aboriginality and folk culture. Second, h