한서린 교수

This essay raises the question of creaturely right and its cosmopolitan possibilities in Mary Shelley’s Frankenstein by arguing that the novel’s awareness toward the creaturely condition of earthly life allows us to imagine universal hospitality in the most radical sense. Exploring how the novel identifies the creature as the bearer of life and the creator as the sovereign, this essay’s reading opens another way to discuss the question of power and life beyond Foucauldian and Agambenian perspect

This essay argues that Wordsworth’s spots of time in The Prelude havea deeper connection with his sense of history than has commonly beenperceived by critics. Deviating from the viewpoint that the spots of timesignal Wordsworth’s turn from historical to poetical interest, this essayobserves that the spots of time recur across the boundary between historyand poetry. A close look at the figure of the “spot” in Books 9 and 10 ofThe Prelude (1805) reveal that it marks the punctual points in the poet

In light of recent critical attention to the Haitian Revolution and its relation to Enlightenment universalism, backed by a continuation of scholarly attempts to reconstruct transatlantic histories, this essay analyzes William Wordsworth’s two sonnets written in response to the historical circumstances of 1802. In “To Toussaint L’Ouverture” Wordsworth eulogizes the famed leader of the first slave revolution, posing him as a figure who exposes the violent underside of European Enlightenment as he

This essay offers a reading of Keats via the twentieth-century Korean poet Kim Yeong-Nang to mark the diacritical difference of English Romanticism as modern and Western. Kim belonged to a coterie of writers working to modernize Korean poetry under the influence of Western literature. Keats’s aestheticism particularly inspired Kim, for whom Romanticism became a site of reflection about the very meaning of modern literature. Revisiting Keats’s poetry through Kim’s eyes, this essay traces the othe

This essay explores the question of the body and addiction raised by Immanuel Kant and Samuel Taylor Coleridge as they fashion themselves into modern subjects. While studies of the philosophical connection between Kant and Coleridge have well been established, the somewhat counterintuitive relationship between the health-mongering Kant and the opium addict Coleridge has not drawn enough critical attention. Looking closely at the ways in which Kant and Coleridge attend to their bodies, this essay

Reading Oscar Wilde’s The Picture of Dorian Gray as a novel that performs Foucault’s idea of discursive formation, this essay explores various formal aspects of discursive formation as figured by the novel’s statements, most notably the highly stylized epigrams. Words in the novel, I argue, operate at the level of the surface, converging from different disciplines to give shape to Dorian Gray, who with his two faces emerges as a de-subjectified “type” of the new discourse of Hedonism. At the sit

This essay contemplates the reparative possibilities of the performative body that feels and touches. A loose, and perhaps unexpected, assemblage of literary texts coinciding with the rise of modern epistemology in and around the Enlightenment movement will demonstrate a surprisingly persistent awareness of how the body performs against dominant ideology. More specifically, we will look at the trope of the hand that touches instead of makes or writes to explore how the tactile act and senses int

This essay raises the question of creaturely right and its cosmopolitan possibilities in Mary Shelley’s Frankenstein by arguing that the novel’s awareness toward the creaturely condition of earthly life allows us to imagine universal hospitality in the most radical sense. Exploring how the novel identifies the creature as the bearer of life and the creator as the sovereign, this essay’s reading opens another way to discuss the question of power and life beyond Foucauldian and Agambenian perspect

In response to the ongoing critical interest in Kant’s idea of “cosmopolitan right” and the increasing post‐structuralist interest in the rhetoric of his political writings, this essay analyzes the rhetorical strategy of analogy Kant employs in “Toward Perpetual Peace” to figure forth the transcendental idea of perpetual peace, reason’s end with no empirical referent yet, as a cosmopolitan right in accord with the material and empirical conditions of nature and politics. The formal analogy betwe

The aim of this essay is to revisit Derrida’s notion of the carnivorous subject and the question of eating well through the trope of cannibalism in Byron’s Don Juan. Cannibalism is an extreme form of flesh eating, which exposes for Byron the voracious underbelly of an economic and political system that feeds on the human flesh. Evidently, the most atrocious manifestation of such rapacious appetite for the human flesh is war, and the urgency with which Byron condemns carnage in military conflicts

This essay is a study of a particularly “queer” moment in Byron’s lyric poetry. In “To Thyrza,” a short poem Byron wrote in response to the death of John Edleston, a choirboy Byron fell in love with at Cambridge, the speaker struggles through an exceedingly convoluted and ambiguous passage to express his excruciating pain. In answer to this perplexing poem, this essay proposes a study of the correlation between queer desire and the lyric form in Byron’s poetry. The lyric is not a poetic form usu